This month is National Novel Writing Month. Artsy types
everywhere are cramming at night to assemble a 50,000-word novel by midnight on
the 30th, hoping for a prize from the NaNoWriMo committee. Skeptics,
many of them friends with these nouveau novelists, are not happy about the
festival, however. (I don’t know any situation in which I’d say skeptics are
happy about something, but there we have it.) Columnists have complained on the internet
about NaNoWriMo, calling it an ego project that only serves to contribute to
the abundance of awful art on the internet.
Participants in NaNoWriMo have retorted that several
published novels, most notably Sara Gruen’s Water
for Elephants, started at projects in the competition. But those who make
this defense, as well as the project’s critics, are missing the real point of
the competition.
We in the United States and other western nations live in a thoroughly
industrialized world. (Point two for obvious statements.) Part of living so
enmeshed in an economy is that we must, for perhaps eight hours a day,
participate in mounds of work which we may or may not enjoy doing. We subvert
our creativity and play into someone else’s economic fantasy. We can look for a
job we enjoy, but at the end of the day, we can’t all do whatever we want.
But we want. We want to create. We want to bring something
into this world that no one else did or will make. Jean-Paul Sartre understood
this when he formulated his philosophy of authenticity. Art lets us feel
meaningful, individual, and powerful, all vital human impulses.
It was this economic conundrum that many anti-societal
writers have discussed. Another great was environmentalist and “rogue economist”
E. F. Schumacher, who wrote in his classic work Small is Beautiful about the tragedy of modern creativity. Because
of mass production, one who wishes to work with their own hands must be wealthy
enough to create a studio to do so. It cannot be a person’s livelihood to
create handmade versions of common objects; it’s simply not economical.
The beauty of the internet is how it has flipped that
paradigm entirely on its head. Using the mass-produced and increasingly
mass-available computer, anyone can create anything and share it with anyone. Everyone,
especially those working drone jobs, needs a creative outlet. It’s why, everyday,
the internet fills more with stunning Flickr photography, artsy YouTube videos,
strange SoundCloud songs, hilarious Tumblr satires, and, of course, opinionated
blog posts. And the platforms are all free.
It doesn’t matter if everyone who reads a NaNoWriMo novel
judges it utter shit. It doesn’t matter if nobody reads it at all. It doesn’t
matter if piles and piles of disgustingly awful novels sit on the website and
never get seen once. What matters is that someone created them. Art isn’t about
the best and the brightest anymore, the vision of divinely-inspired creators
rising to the top of the art world. Art is about each person as an individual.
To readers participating in NaNoWriMo: Stay sane and keep at
it. To my friends who create everything else that makes the internet a better
place: keep doing what you do. To anyone who wants to create terrible, terrible
art: go for it. No matter how badly you do, you’ll be happier with yourself. If
you need me, I’ll be over here blogging.
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